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"But," she protested, raising herself on one elbow. "It wasn't true, what Mr. Benton said about your design. Why don't you tell him so, Elinor?",

"Right-o, Miss Judith," laughed Patricia, flinging an arm about the young sage. "My word, but you're a crafty young one! I'd have raved about it till even Michael Angelo or Raphael couldn't have satisfied the expectations of the beholder. How do you come by so much wisdom, Miss Minerva?",

"Oh, my dear Mrs. Carter, how glad I am to meet you!" she said as she towered over me in a willowy way, and her voice was lovely and cool almost to slimness. "I am the bearer of so many gracious messages that I am anxious to deliver them safely to you. Not six weeks ago I left Alfred Bennett in Paris, and really—really his greetings to you almost amounted to a pile of luggage. He came down to Cherbourg to see me off, and almost the last thing he said to me was, 'Now, don't fail to see Mrs. Carter as soon as you get to Hillsboro; and the more you see of her the more you'll enjoy your visit to Mrs. Pollard.' Isn't he the most delightful of men?" She asked me the question, but she had the most wonderful way of seeming to be talking to everybody at one time, so Mrs. Johnson got in the first answer.,

Patricia, promising to give Doris' messages to Elinor and the rest, hurried off, leaving the drawing-room windows once more blank and impassive. She ran into the studio as Griffin was rising to go, with her umbrella, reclaimed from the stand, still dripping slow occasional drops unheeded on the polished floor.

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Judith twined her arms about her and kissed her fondly.,

"He was awfully nice," said Patricia enthusiastically. "Architects are so much better scrubbed than art students. He has lovely hair, too. He's tremendously fond of Miriam Halden, did you notice?",

Miss Jinny chuckled huskily. "Don't you worry about that," she said, mysteriously. "It ain't my health. It's something I didn't want to write on paper," and she tapped her upper lip suggestively.,

So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic.